"Barbie Doll"

In the perspective of switching the poem "Barbie Doll" by Marge Piercy, into a poem that could be the replica, just in the life of a guy, this is what I would do; I would first change the title of the story to "Big Man on Campus". There is something that both guys and girls share in the 'growing up process', peer pressure, the norm and plain and simple wanting to fit in. The difference is in the methods. In "Barbie Dolls" the second stanza talks describes the girls' features, instead of "everyone saw a fat nose on thick legs" (11), for a guy it would be; everyone saw wirey arms on a puny frame. For guys, the peer pressure is focused on being 'jacked and tan', I don't think there is a good parallel from the initial comment, "Then in the magic of puberty, a classmate said: you have a great big nose and fat legs" (5,6). Guys aren't usually so hurt by comments like that, as the common girl would be. The thing I would present to readers (if I were to re-write this poem with a switch on genders) would entail something that establishes in the readers mind that would be easily related to by most any guy. Something that bothers each guy at one time or another. Only one thing comes to mind, pride. Pride is something that each guy needs to have something in, in general a guy will not pursue a sport that he is not good enough at to have pride in. When guys pick on eachother (and we all do) we usually are lambasing someone else' pride in the effort to enlarge our own. In regards to parents, many fathers find pride in the accomplishments of their son(s). If the fathers, find nothing, the son loses pride in himself, feeling like he let his father down. This type of diction would have to be conveyed in a poem about guys and the expectations and pressure that affects them.

Porphryria's Love

In the poem “Porphyria’s Lover” written by Robert Browning there is a good use of irony. The speaker in the story sees Porphyria as Vain. An example of this in the story is when the speaker states “From pride, and vainer ties dissever” (Browning, line 24). When in actuality he is the one who is vain and ends up killing her. He thought that she would be too weak to give her love to him forever and then he decided to kill her so that she will always be with him. The speaker can see how much she loves him. Her love for him is shown in the poem when the speaker states “She put my arm about her waist, And made her smooth white shoulder bare” (Browning, Lines 16 and 17). The speaker soon realizes that he loves her too and yet he kills her. He kills her so that she can be with him forever and never leave him. The speaker refers to her hair several times during the story and then he uses her hair to strangle her. It was ironic how when she had put his head on her shoulder he seemed bothered but when he had put her head on his shoulder he was happy and completely in love with her. Porphryia wanted the speaker to know how much love she had for him and that she wanted to give herself to him and in the end the speaker felt he had done her wish. This was shown in the statement “Porphyria’s love: she guessed not how Her darling one wish would be heard” (Browning, lines 56 and 57). The story did had good job of telling us what the speaker was saying about Porphryia but in the end he would do something different or feel different.

"My Last Duchess"

In "My Last Duchess" by Robert Browning, the speaker of the story is probably a real person that lived in that time frame, but obviously a Duke from the 17th-ish century. Some say that it was probably Alfonso II, the duke of Ferrara, whose wife died early in their marriage. The speaker obviously has an obsessive personalality, "Whene'er I passed her; but who passed without Much the same smile?" (44,45). He wished his wife sought after him abundantly and no-one else (showing a need to be worshipped). He is telling some other person probably someone who is affiliated with a prospect of a future wife, "That's my last Duchess painted on the wall, Looking as if she were alive. I call that peice a wonder[.]" (1,2,3) About this painting and gets side tracked, rambling on about his last wife's flaws: "too soon made glad" (22). This is obviously showing his frustation that all that he had done for his late wife, "My gift of a nine-hundred-years-old name" (33) Wasn't fully appreciated. It's obvious about his character, that this Duke has serious pride issues and it's assumed (by me) that this 'listener' would not be impressed.

Barbie Doll

The Poem “Barbie Doll” by Mage Piercy was written in 1934. Since then there have been a few changes as far as Barbie dolls go. There are now many types of Barbie dolls that have many different looks to them. The newest type of Barbie doll is a bratz doll. There are also Kelly dolls as well as Ken dolls. This story could be changed quite a bit to fit with the world today. Instead of just being a blonde haired Barbie doll it could have black, red, brown hair. The hair colors may have changed but the Barbie doll is still skinny and beautiful. The Barbie dolls now-a-days even have different skin tones so that she may be light in color or have a darker skin color. Girls in this time frame do not necessarily still iron and use stoves like they used to in 1934. Instead today’s stereotype for girls may be that every girl loves to go shopping and more shoes than they will ever need. It is amazing to look at the poem and also see some of the same type of stereotypes for girls today. The cherry candy colored lipstick is still something that girls are associated with. Girls tend to be stereotyped for needing to wear makeup and do their take an hour getting their hair just right. This story really does a good job showing the types of stereotypes that females go through and the need to look perfect or else they will be made fun of!

My Last Duchess

The speaker in the poem “My Last Duchess” written by Robert Browning appears to be a selfish man. The speaker is talking in the poem to a person about marrying a counts daughter. The speaker tells the person about his last wife as a way to inform the person he is talking to about how he expects his new wife to act. The Dutch makes his last duchess seem like she was with many men and cheating on him. It’s hard to tell if she was actually cheating on him physically or if he just assumed that she was with the looks that she gave to other people. A really good example in the poem of this is when the speaker stated “She looked on, and her looks went everywhere. Sir, t’was all for one!” (Browning, lines 25 and 25). The Dutch saw himself as important and it really bothered him that she wasn’t grateful to be his wife. An example of this in the poem was when the speaker said “My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling?” (Browning, lines 33, 34, and 35). These lines really show how arrogant this speaker is. He thinks that she should have felt honored to be with him. As arrogant as he was he was still easily a jealous person. If the duchess even gave someone the same smile that she had given to him he would assume there was more going on. This is shown in the poem when it says “Or blush, at least. She thanked men—good! But thanked Somehow—I know not how” (Browning, lines 31 and 32). It seems that the speaker let who he was affect how he saw other people. Since he was a Dutch, he saw people has his own personal objects. This is shown when the speaker states “though his fair daughter’s self, as I avowed At starting, is my object.” (Browning, lines 51 and 52). He strongly thought he was above everyone else.

Doe Season

Andy was a young and bright little girl who loved the thought of going out in the woods to go hunting with her father. The woods made her feel safe and at peace. It was somewhere she could go and still be a child. Andy had a way with animals, almost like they felt like she was one of them. Her father told the other men, "Animals-I don't know how she does it, but they come right up to her." (Kaplan 457) But, it was the moment when she actually shot the deer that everything seemed to change. She felt as though she had taken something from this poor helpless deer that she could never give back. When she knew that the deer was out there running around, "She couldn't bear to think of the doe in pain and frightened." While walking through the woods, Andy had thoughts in her head about the ocean, making it seem she was very frightened of it. "If you walked in it, something could pull you under and you'd never be seen again." (Kaplan 459) She knew that her mother was not afraid of being in the ocean because she was out swimming in it while Andy watched her from the sand. When the men were about to cut open the deer, the thoughts of the scary ocean came flooding back to her. She heard her mom yelling, "Come in, come in, while all around her roared the mocking of the terrible, now inevitable, sea." (Kaplan 467) In this very moment, she had to make the transition from a young, immature child to a mature adult.

"Doe Season"

While I relate my life to "Doe Season" by David Micheal Kaplan I can find alot of similarities. Not only did I find comfort and security in the woods but also with nature. Growing up with a family that is big in hunting I know how Andy felt when he was in the woods. Nobody knows the true meaning of how beautiful nature is until they live it. To spend days in the cold with mother nature and all the mammals and insects that go along with nature. Andy feared growing up and having to explore what we call "adulthood". She looked forward to being an adult but yet at the sametime she feared the unknown. You could say the woods symbolizes "childhood" and the ocean symbolizes "adulthood". The woods is limited to what lives there and usually stays the same. On the other end of the spectrum the ocean is so wide open and changing all the time. Kind of like life. In childhood things are somewhat structed and you go into adulthood you have to make your own decisions and you have a open road infront of you! "They were the same woods that lay behind her house, and they stretch all the way to here, she thought, for miles and miles, longer than I could walk in a day, or a week even, but they are still the same woods. This thought made her feel good: it was like thinking of God: it was like thinking of the space between here and the moon: it was like thinking of all the foreign countries form her geography book where even now,..."(456) The woods gave Andy a sense of a at "home" feeling and made her feel secure. She always knew what made her feel safe! So, if you have to say what the analogy was it is that the woods and the ocean are Andy transitioning in life!

Doe Season ~ Brook M. Wilken

In the short story, Doe Season, Andy appears to have a deep connection with nature, almost as though her surroundings are part of her being. She makes several references throughout the piece regarding the familiarity of the woods and the fact that she finds comfort among the forest. “They were the same woods that lay behind her house, and they stretch all the way to here… The thought made her feel good: it was like thinking of God” (465). The woods proved to be a source of refuge and peace. “Andy closed her eyes and, between beats of her heart, listened to the beating of the forest” (461). Andy was previously frightened by the concept of the ocean and its uncertainty. She correlated her experience at the ocean to be somewhat terrifying and even referred to the water as smelling of death. “If you swam, something could pull you under and you’d never be seen again. “Its musky, rank smell made her think of things dying” (459). As Andy made the decision to pull the trigger and shoot the doe, she had to confront her fears. She came to the realization that she was no longer innocent, nor was life as pure as the woods because of what she had done. She had to come to the realization that the woods, the same place that once gave her comfort, at times will also bring fear. “Yet louder than any of them was the wind blowing though the treetops, like the ocean where her mother floated in green water, also calling Come in, come in, while all around her roared the mocking of the terrible now inevitable, sea” (467). As she desired to be more accepted by the men during the hunting trip, she actually sacrificed a part of herself that she will never regain.

"The Chrysanthemums"

In the story "the Chrysanthemums" the author John Steinbeck, uses symbolism from various objects to express the joy,pride, and frustration of the main character. Elisa is the main character is the story. She is strong and hardworking woman that sent most of her time cutting the stalks of chrysanthemums in her garden. Her husband Henry offered to take her out of town for a dinner to celebrate the sale of their thirty steers. The following are some of the symbols from the story: flowers(Chrysanthemums), garden, scissors, and fence. The Chrysanthemums or flowers symbolize passion and love of the main character. The garden represent Elisa abilities to care of herself. She is more productive in the garden. "You've got a gift with things, Henry observed. Some of those yellow chrysanthemums you had this year were ten inches across. I wish you'd work out in the orchard and raise some apples that big" (pg. 633). Similarly, the scissors symbolize strength and power. The fence is the border between the main character's world and the surrounding world.

Doe Season

Reading Doe Season reminded me of my own childhood. Andy knew the comfort of home and the security she found with knowing things were still the same, the woods was her sanctuary. Her serene childhood was coming to an end and she was heading toward adulthood. The woods didn't change, it was solid to her, as was the closeness she felt with her father. The sea on the other hand, was frightening to Andy. "It was huge and empty, yet always moving." Andy was intimidated by the thought of adulthood, yet she was anticipating the uncertainty of the change. The contrast between the woods and the ocean is a great way to compare childhood and adulthood. "Andy was running from them." (467) shows that she isn't ready for this transition, she retreats to the security of the sameness she found in the woods.

"Doe Season" by David Michael Kaplan

Andy took comfort in the familiarity of the woods. They were the same from her house to anywhere she went. Being in them reassured her and connected her to her comfort zone. However, the hunting trip was a new experience that aided in her transition from childhood to adulthood.
While Andy was in the woods she had many new experiences. She drank coffee for the first time.(459) She had to engage in sarcastic conversation and defend herself against Charlie Spoon and Mac. They jokingly said "that's about your size"(458) in reference to the backpack she had to carry. She was constantly worried she would say something dumb and not fit in. As the day went on she noticed the wind was strong and sounded like the ocean. She remembered going to the ocean with her family. At that time the ocean scared her because it was "huge and empty, yet always moving."(459) Everything was hidden. She was scared to go in and disappear. As she walked through the woods she started to cross into unfamiliar territory and the woods started to change. This journey represents her growing and maturing. While at the ocean Andy remembers her mom's top falling off and exposing her breasts.(459) At the time Andy was embarrassed but her mom calmly fixed it without any cares. Andy got a glimpse of what adulthood will be like and she was scared to face it.
Andy had debated shooting the deer in the first place and later regretted it. She saw the results of her actions and wasn't ready to handle it. The next day the woods seemed different "more beautiful then she had ever seen them."(466) That day she changed as well. She watched when her father cut the deer open and she experienced death. She ran and they were all calling to her...Andy, Andy(but that wasn't her name, she would no longer be called that. (467) The forest transformed into the ocean and it was a though the water was calling for her to come in. She lost part of her childhood forever. Adulthood was inevitable and she had to grow up.

Doe Season

Doe Season by David Michael Kaplan was very interesting. In the beginning of the story Andy talks about the woods "They were the same woods that lay behind her house . . . longer then I could walk in a day, or a week even, but they are still the same woods" (pg 456). She finds the woods familiar and comforting. The trees surround a person like parents, or adults, surround a child. The woods are closed in and you can slowly navigate your way through. She felt safe in the woods, her father had shown her the way. The ocean is wide open. There is nothing there to shade you or protect you from the sun or any foreign objects. Andy remembers her first experience with the ocean, "Everything lay hidden. If you walked in it, you couldn't see how deep it was or what might be below . . ." (pg 459). Her view of the ocean is like a metaphor for adulthood. You don't know what to expect when you are out on your own. It can be scary to know you aren't going to have your parents coddling you and helping you every step of the way. The ocean was unfamiliar ground.

'Doe Season' Question #3

The woods portray the security and safety of a child's environment. Children have faith and assurance that they are safe from danger. Parents and other people give children that sense of security, by their constant presence and guidance. The woods and trees around Andy gave her that same feeling of being safe and secure because she knew that the woods never changed; they were always there and the same.
When Andy was first introduced to the ocean, it was a new feeling; much different than that of the woods. The ocean is wide open, full of wonder and darkness, wild and unexpecting. Andy was intimidated by that because it was something she had never experienced; she wasn't accepting of that vast amount of life and uncertainty.
As Andy got older, she was inevitably faced with reality outside of the woods. She became exposed to every aspect of the outside: things in nature that she enjoyed, but also things that were fierce. The things from Andy's outside experience that made her uncomfortable, such as the wind and bitter coldness, the adrenaline of the hunt, and altogether new adventure, are what reminded her of the ocean.
This story of stepping from the woods into the open field/ocean is an analogy of the transition from Andy's childhood into her alduthood. She willingly and readily took those steps because she was beginning to mature and face new opportunities, realizing that it required braveness. Through her braveness, Andy found that there was also freedom.

Doe Season

During childhood children are usually worry free and not only that but the woods made Andy feel worry free because "they were the same woods, for miles and miles." (456). The ocean was different, it made her think of things dying, alost like she was afread of it. It is the same with going from childhood to adulthood, Andy is worry free during childhood but when adulthood comes she is scared. The woods made her feel safe until she realized what could happen in the woods such as when the deer died and her dad cut into it, she ran away. In reality, many children going into adulthood want to run away too. At a point they realize what it takes to be an adult. Andy thought she could handle the woods and she wanted to be a boy and be called Andy (463) but in the end the woods weren't what she thought and that is when she was ready to be an adult and be called Andrea now. Many people make this transition. The transition doesn't usually happen because of a situation like this but the woods changed Andy into a different person, to be more of an adult or a lady.

Carly Turchin

"Doe Season" question #3

As the story begins Andy is thinking about the woods and going hunting. "They were the same woods that lay behind her house, and they stretch all the way to here, she thought, for miles and miles, longer than I could walk in a day, or a week even, but they are still the same woods. This thought made her feel good: it was like thinking of God: it was like thinking of the space between here and the moon: it was like thinking of all the foreign countries form her geography book where even now,..."(456) The woods did not scare Andy, but gave her comfort, much like her childhood and the things in her childhood that protect her. On page 459, paragraph 45 Andy recalls a vacation she took to the ocean with her family. She thinks of the ocean because the strong winds blowing through the treetops remind her of the sound of the ocean. The sound of the ocean is frightening to her, and the woods is also becoming more frightening to her as she spends that time there on her hunting trip. She is beginning to realize she is growing up and that is what is causing her the fright. She thinks she is beginning to smell the air of the ocean while they are in the woods (459). Then she says "But that was impossible, the ocean is hundreds of miles away, farther than Canada even." (459) That to me says that she is thinking that it is impossible that she already feels like she is growing up in to adulthood, it should be many years away. She talks more descriptively about the ocean and why it scares her. " Everything lay hidden. If you walked in it, you couldn't see how deep it was or what might be below; if you swam, something could pull you under and you'd never be seen again." (459) This parallels to Andy's thoughts of adulthood, she is frightened of it just as she is of the ocean because of the unknown. The ocean does not give her comfort like the woods that she feels is the same as it is in her own back yard because that is familiar and comfortable to her. The ocean is the unknown and the woods is comfort just like adulthood and childhood.

Doe Season

In “Doe Season” Andy talks about the woods and how they never change she takes comfort in this as she takes comfort in the consistency of her own life. She likes the feeling that everything will always be as it was but she finds out that life is not always as it seems. Like when she talked about the ocean “huge and empty, yet always moving. Everything lay hidden. If you walked in it you couldn’t see how deep it was or what might be below” (p.459.) This is how life can be as you get older and have to leave your comfort zone. You can never tell what life will bring you “If you walked in it you couldn’t see how deep it was or what might be below” (p.459). Also life is always changing as you grow and develop and it’s a big scary world out there. The woods is her as a child in the protection of her parents and the ocean is her as she grows and changes from a child to an adult.

The Lady and "The Chrysanthemums"

Reading John Steinbeck’s “The Chrysanthemums” proved to be very challenging due to the difficulty recognizing all of the nuances that peppered the story. At first, it appears to be an innocent story about a woman and her flower garden. Dig below the surface though, and there lies a story about a woman’s desires, frustrations, and unfulfilled life.

Like the “high grey-flannel fog of winter” that “closed off the Salina Valley from the sky and from all the rest of the world” (632) Elisa is trapped in her life in the valley. She finds peace and solitude tending her chrysanthemums. The flowers gave Elisa something to throw her life into, to tend and nurture.

Children are never mentioned in the story, so it is assumed that Elisa is childless. She takes care of the flowers, eradicating pests like a mother would take care of a child’s illness or problem, with “terrier fingers destroy[ing] such pests before they could get started” (633). Her chrysanthemums represent her feminine qualities, her motherly instincts.

When the tinker arrives, he is nothing more than a distraction in Elisa’s life. As he and his dog pull up to her wire fence, it is as if they have pulled up to the edge of her world, and she was in no hurry to let them in. This fenced in area of her garden was like her own personal bubble, protecting her from anything in the real world that could hurt her. Elisa seemed wary of the tinker, but engaged him in conversation all the same. When he tries to earn some money fixing pots or scissors for her, Elisa repeatedly tells him “I haven’t anything for you to do” (635). He quickly realizes he needs to change his tactic to obtain any work from this “lean and strong [woman] her eyes as clear as water” (632). He begins to talk to her about her chrysanthemums, and Elisa’s “irritation and resistance melted” and her “eyes grew alert and eager” (635). The story seems to take on some strong sexual undertones at this point, with Elisa becoming more feminine in her actions and appearance.

While preparing the sprouts for the tinker to take to another woman on his route, Elisa invites the tinker to “come into the yard” (636). Her husband, Henry didn’t even come into the fenced area of the yard. The “big red flower pot” (636) that she uses is important, as red is a symbol of passion and power. She has “forgotten her gloves” (636), something she never does, showing the reader that she had become more open to the tinkers attention and less repressed as she normally is with her husband. Elisa kneels in the dirt, “her breast swelled passionately” and her “voice grew husky” (636). She goes as far as to reach out for his leg, but drops her hand and stays “crouched low like a fawning dog” (636). It’s as if the experience is over for her.

Once the tinker is gone, Elisa goes to get ready for her date with Henry. During her bath, she “scrubbed herself with a little block of pumice…until her skin was scratched and red” (638). It seems that she is trying to scrub away the guilt she is feeling from her encounter with the tinker. She goes back to her real life, getting Henry’s bath and clothing ready, and in doing so she stares blankly representing that she has no interest or excitement in marriage (638).

The couple drive down the road, and Elisa sees “a dark speck” (639)on the side of the road, it is obvious to her what it is. The realization that the tinker has “thrown them off the road…but he kept the pot” (639) shows her that she has been used and thrown away. Steinbeck ends the story with Elisa crying and feeling sorry for herself and her dull existence.

Doe Season

In the story “Doe Season” by David Kaplan, Andy is on a hunting trip with her Father and friends of her father. While on the hunting trip, Andy talks about the woods as being a safe place that made her feel good. In the woods she was able to feel like she was like one of the guys, spending time with her Father hunting. The woods was her comfort zone, she liked the feeling she had when she was in the woods. Andy talks about how the ocean frightens her, “It was huge and empty, yet always moving. Everything lay hidden. If you walked in it, you couldn’t see how deep it was or what might be below; if you swam, something could pull you under and you’d never be seen again. It’s musky, rank smell made her think of things dying.” (459) Andy is afraid to grow up, she is entering a new phase in her life that is frighting to her.
After Andy shot the deer in the woods, Andy has to come to terms with dealing with death as it is a part of growing up.

"Doe Season"

In his short story, “Doe Season,” David Michael Kaplan writes about a young girl’s initiation into adulthood as she goes on a deer hunt. Kaplan uses two different pieces of nature in this story to contrast the changes that occur within Andy: the woods, and the ocean.
In the beginning of this story, it is stated that the thought of the woods to Andy “was like thinking of God,” (456). It is also know that she felt “they were always the same woods,” (456) perhaps signifying the deep-rooted relationship a child gains with its parents as they mature. The woods are also a beautiful means to represent the home, shelter, and safety from elements.
As they progress through the woods, Andy recalls her first trip to the ocean. The thought of this frightens her; “if you swam, something could pull you under.” (459) She also recalls that “everything lay hidden,” (459) adding to the mysterious characteristic of the ocean. In this way, Kaplan uses the vastness of the ocean to symbolize the unknowns about life that everyone must consider in order to mature.
By contrasting the woods with the ocean, Kaplan may be suggesting that in order to come of age, you must leave the shelter of “the same woods” and jump into the unknown.

"Doe Season"

In “Doe Season” Andy finds the familiarity of the woods near her home to be both comforting and predictable. The woods symbolize the life she has lived thus far. Her well-known childhood gives her a sense of belonging, just as the woods near her home do. While recognizing that the woods never change Andy states, “The thought made her feel good: it was like thinking of God…” (456). Just as she cannot see God, Andy cannot see as far as the woods stretch. However, she is still able to find comfort in both. While her childhood is familiar, this hunting trip signifies that Andy is growing up, and her adulthood is not far away. During this time of transition she relates her adulthood to an ocean, which is both unpredictable and unknown. When Andy describes the ocean she says, “It was huge and empty, yet always moving. Everything lay hidden” (459). She does not know what the future will hold for her, thus her future is hidden similarly to the ocean. She struggles with her impending adulthood because she is unaware of what it will be like, and she is apprehensive to leave her comfortable childhood behind.