Friday, October 9, 2009
"Doe Season"
Monday, October 5, 2009
Doe Season ~ Brook M. Wilken
"The Chrysanthemums"
Doe Season
"Doe Season" by David Michael Kaplan
While Andy was in the woods she had many new experiences. She drank coffee for the first time.(459) She had to engage in sarcastic conversation and defend herself against Charlie Spoon and Mac. They jokingly said "that's about your size"(458) in reference to the backpack she had to carry. She was constantly worried she would say something dumb and not fit in. As the day went on she noticed the wind was strong and sounded like the ocean. She remembered going to the ocean with her family. At that time the ocean scared her because it was "huge and empty, yet always moving."(459) Everything was hidden. She was scared to go in and disappear. As she walked through the woods she started to cross into unfamiliar territory and the woods started to change. This journey represents her growing and maturing. While at the ocean Andy remembers her mom's top falling off and exposing her breasts.(459) At the time Andy was embarrassed but her mom calmly fixed it without any cares. Andy got a glimpse of what adulthood will be like and she was scared to face it.
Andy had debated shooting the deer in the first place and later regretted it. She saw the results of her actions and wasn't ready to handle it. The next day the woods seemed different "more beautiful then she had ever seen them."(466) That day she changed as well. She watched when her father cut the deer open and she experienced death. She ran and they were all calling to her...Andy, Andy(but that wasn't her name, she would no longer be called that. (467) The forest transformed into the ocean and it was a though the water was calling for her to come in. She lost part of her childhood forever. Adulthood was inevitable and she had to grow up.
Doe Season
'Doe Season' Question #3
When Andy was first introduced to the ocean, it was a new feeling; much different than that of the woods. The ocean is wide open, full of wonder and darkness, wild and unexpecting. Andy was intimidated by that because it was something she had never experienced; she wasn't accepting of that vast amount of life and uncertainty.
As Andy got older, she was inevitably faced with reality outside of the woods. She became exposed to every aspect of the outside: things in nature that she enjoyed, but also things that were fierce. The things from Andy's outside experience that made her uncomfortable, such as the wind and bitter coldness, the adrenaline of the hunt, and altogether new adventure, are what reminded her of the ocean.
This story of stepping from the woods into the open field/ocean is an analogy of the transition from Andy's childhood into her alduthood. She willingly and readily took those steps because she was beginning to mature and face new opportunities, realizing that it required braveness. Through her braveness, Andy found that there was also freedom.
Doe Season
Carly Turchin
"Doe Season" question #3
Sunday, October 4, 2009
Doe Season
The Lady and "The Chrysanthemums"
Reading John Steinbeck’s “The Chrysanthemums” proved to be very challenging due to the difficulty recognizing all of the nuances that peppered the story. At first, it appears to be an innocent story about a woman and her flower garden. Dig below the surface though, and there lies a story about a woman’s desires, frustrations, and unfulfilled life.
Like the “high grey-flannel fog of winter” that “closed off the Salina Valley from the sky and from all the rest of the world” (632) Elisa is trapped in her life in the valley. She finds peace and solitude tending her chrysanthemums. The flowers gave Elisa something to throw her life into, to tend and nurture.
Children are never mentioned in the story, so it is assumed that Elisa is childless. She takes care of the flowers, eradicating pests like a mother would take care of a child’s illness or problem, with “terrier fingers destroy[ing] such pests before they could get started” (633). Her chrysanthemums represent her feminine qualities, her motherly instincts.
When the tinker arrives, he is nothing more than a distraction in Elisa’s life. As he and his dog pull up to her wire fence, it is as if they have pulled up to the edge of her world, and she was in no hurry to let them in. This fenced in area of her garden was like her own personal bubble, protecting her from anything in the real world that could hurt her. Elisa seemed wary of the tinker, but engaged him in conversation all the same. When he tries to earn some money fixing pots or scissors for her, Elisa repeatedly tells him “I haven’t anything for you to do” (635). He quickly realizes he needs to change his tactic to obtain any work from this “lean and strong [woman] her eyes as clear as water” (632). He begins to talk to her about her chrysanthemums, and Elisa’s “irritation and resistance melted” and her “eyes grew alert and eager” (635). The story seems to take on some strong sexual undertones at this point, with Elisa becoming more feminine in her actions and appearance.
While preparing the sprouts for the tinker to take to another woman on his route, Elisa invites the tinker to “come into the yard” (636). Her husband, Henry didn’t even come into the fenced area of the yard. The “big red flower pot” (636) that she uses is important, as red is a symbol of passion and power. She has “forgotten her gloves” (636), something she never does, showing the reader that she had become more open to the tinkers attention and less repressed as she normally is with her husband. Elisa kneels in the dirt, “her breast swelled passionately” and her “voice grew husky” (636). She goes as far as to reach out for his leg, but drops her hand and stays “crouched low like a fawning dog” (636). It’s as if the experience is over for her.
Once the tinker is gone, Elisa goes to get ready for her date with Henry. During her bath, she “scrubbed herself with a little block of pumice…until her skin was scratched and red” (638). It seems that she is trying to scrub away the guilt she is feeling from her encounter with the tinker. She goes back to her real life, getting Henry’s bath and clothing ready, and in doing so she stares blankly representing that she has no interest or excitement in marriage (638).
The couple drive down the road, and Elisa sees “a dark speck” (639)on the side of the road, it is obvious to her what it is. The realization that the tinker has “thrown them off the road…but he kept the pot” (639) shows her that she has been used and thrown away. Steinbeck ends the story with Elisa crying and feeling sorry for herself and her dull existence.
Doe Season
After Andy shot the deer in the woods, Andy has to come to terms with dealing with death as it is a part of growing up.
"Doe Season"
In the beginning of this story, it is stated that the thought of the woods to Andy “was like thinking of God,” (456). It is also know that she felt “they were always the same woods,” (456) perhaps signifying the deep-rooted relationship a child gains with its parents as they mature. The woods are also a beautiful means to represent the home, shelter, and safety from elements.
As they progress through the woods, Andy recalls her first trip to the ocean. The thought of this frightens her; “if you swam, something could pull you under.” (459) She also recalls that “everything lay hidden,” (459) adding to the mysterious characteristic of the ocean. In this way, Kaplan uses the vastness of the ocean to symbolize the unknowns about life that everyone must consider in order to mature.
By contrasting the woods with the ocean, Kaplan may be suggesting that in order to come of age, you must leave the shelter of “the same woods” and jump into the unknown.
"Doe Season"
"Doe Season"
Angela Thune