Friday, October 9, 2009

"Doe Season"

While I relate my life to "Doe Season" by David Micheal Kaplan I can find alot of similarities. Not only did I find comfort and security in the woods but also with nature. Growing up with a family that is big in hunting I know how Andy felt when he was in the woods. Nobody knows the true meaning of how beautiful nature is until they live it. To spend days in the cold with mother nature and all the mammals and insects that go along with nature. Andy feared growing up and having to explore what we call "adulthood". She looked forward to being an adult but yet at the sametime she feared the unknown. You could say the woods symbolizes "childhood" and the ocean symbolizes "adulthood". The woods is limited to what lives there and usually stays the same. On the other end of the spectrum the ocean is so wide open and changing all the time. Kind of like life. In childhood things are somewhat structed and you go into adulthood you have to make your own decisions and you have a open road infront of you! "They were the same woods that lay behind her house, and they stretch all the way to here, she thought, for miles and miles, longer than I could walk in a day, or a week even, but they are still the same woods. This thought made her feel good: it was like thinking of God: it was like thinking of the space between here and the moon: it was like thinking of all the foreign countries form her geography book where even now,..."(456) The woods gave Andy a sense of a at "home" feeling and made her feel secure. She always knew what made her feel safe! So, if you have to say what the analogy was it is that the woods and the ocean are Andy transitioning in life!

Monday, October 5, 2009

Doe Season ~ Brook M. Wilken

In the short story, Doe Season, Andy appears to have a deep connection with nature, almost as though her surroundings are part of her being. She makes several references throughout the piece regarding the familiarity of the woods and the fact that she finds comfort among the forest. “They were the same woods that lay behind her house, and they stretch all the way to here… The thought made her feel good: it was like thinking of God” (465). The woods proved to be a source of refuge and peace. “Andy closed her eyes and, between beats of her heart, listened to the beating of the forest” (461). Andy was previously frightened by the concept of the ocean and its uncertainty. She correlated her experience at the ocean to be somewhat terrifying and even referred to the water as smelling of death. “If you swam, something could pull you under and you’d never be seen again. “Its musky, rank smell made her think of things dying” (459). As Andy made the decision to pull the trigger and shoot the doe, she had to confront her fears. She came to the realization that she was no longer innocent, nor was life as pure as the woods because of what she had done. She had to come to the realization that the woods, the same place that once gave her comfort, at times will also bring fear. “Yet louder than any of them was the wind blowing though the treetops, like the ocean where her mother floated in green water, also calling Come in, come in, while all around her roared the mocking of the terrible now inevitable, sea” (467). As she desired to be more accepted by the men during the hunting trip, she actually sacrificed a part of herself that she will never regain.

"The Chrysanthemums"

In the story "the Chrysanthemums" the author John Steinbeck, uses symbolism from various objects to express the joy,pride, and frustration of the main character. Elisa is the main character is the story. She is strong and hardworking woman that sent most of her time cutting the stalks of chrysanthemums in her garden. Her husband Henry offered to take her out of town for a dinner to celebrate the sale of their thirty steers. The following are some of the symbols from the story: flowers(Chrysanthemums), garden, scissors, and fence. The Chrysanthemums or flowers symbolize passion and love of the main character. The garden represent Elisa abilities to care of herself. She is more productive in the garden. "You've got a gift with things, Henry observed. Some of those yellow chrysanthemums you had this year were ten inches across. I wish you'd work out in the orchard and raise some apples that big" (pg. 633). Similarly, the scissors symbolize strength and power. The fence is the border between the main character's world and the surrounding world.

Doe Season

Reading Doe Season reminded me of my own childhood. Andy knew the comfort of home and the security she found with knowing things were still the same, the woods was her sanctuary. Her serene childhood was coming to an end and she was heading toward adulthood. The woods didn't change, it was solid to her, as was the closeness she felt with her father. The sea on the other hand, was frightening to Andy. "It was huge and empty, yet always moving." Andy was intimidated by the thought of adulthood, yet she was anticipating the uncertainty of the change. The contrast between the woods and the ocean is a great way to compare childhood and adulthood. "Andy was running from them." (467) shows that she isn't ready for this transition, she retreats to the security of the sameness she found in the woods.

"Doe Season" by David Michael Kaplan

Andy took comfort in the familiarity of the woods. They were the same from her house to anywhere she went. Being in them reassured her and connected her to her comfort zone. However, the hunting trip was a new experience that aided in her transition from childhood to adulthood.
While Andy was in the woods she had many new experiences. She drank coffee for the first time.(459) She had to engage in sarcastic conversation and defend herself against Charlie Spoon and Mac. They jokingly said "that's about your size"(458) in reference to the backpack she had to carry. She was constantly worried she would say something dumb and not fit in. As the day went on she noticed the wind was strong and sounded like the ocean. She remembered going to the ocean with her family. At that time the ocean scared her because it was "huge and empty, yet always moving."(459) Everything was hidden. She was scared to go in and disappear. As she walked through the woods she started to cross into unfamiliar territory and the woods started to change. This journey represents her growing and maturing. While at the ocean Andy remembers her mom's top falling off and exposing her breasts.(459) At the time Andy was embarrassed but her mom calmly fixed it without any cares. Andy got a glimpse of what adulthood will be like and she was scared to face it.
Andy had debated shooting the deer in the first place and later regretted it. She saw the results of her actions and wasn't ready to handle it. The next day the woods seemed different "more beautiful then she had ever seen them."(466) That day she changed as well. She watched when her father cut the deer open and she experienced death. She ran and they were all calling to her...Andy, Andy(but that wasn't her name, she would no longer be called that. (467) The forest transformed into the ocean and it was a though the water was calling for her to come in. She lost part of her childhood forever. Adulthood was inevitable and she had to grow up.

Doe Season

Doe Season by David Michael Kaplan was very interesting. In the beginning of the story Andy talks about the woods "They were the same woods that lay behind her house . . . longer then I could walk in a day, or a week even, but they are still the same woods" (pg 456). She finds the woods familiar and comforting. The trees surround a person like parents, or adults, surround a child. The woods are closed in and you can slowly navigate your way through. She felt safe in the woods, her father had shown her the way. The ocean is wide open. There is nothing there to shade you or protect you from the sun or any foreign objects. Andy remembers her first experience with the ocean, "Everything lay hidden. If you walked in it, you couldn't see how deep it was or what might be below . . ." (pg 459). Her view of the ocean is like a metaphor for adulthood. You don't know what to expect when you are out on your own. It can be scary to know you aren't going to have your parents coddling you and helping you every step of the way. The ocean was unfamiliar ground.

'Doe Season' Question #3

The woods portray the security and safety of a child's environment. Children have faith and assurance that they are safe from danger. Parents and other people give children that sense of security, by their constant presence and guidance. The woods and trees around Andy gave her that same feeling of being safe and secure because she knew that the woods never changed; they were always there and the same.
When Andy was first introduced to the ocean, it was a new feeling; much different than that of the woods. The ocean is wide open, full of wonder and darkness, wild and unexpecting. Andy was intimidated by that because it was something she had never experienced; she wasn't accepting of that vast amount of life and uncertainty.
As Andy got older, she was inevitably faced with reality outside of the woods. She became exposed to every aspect of the outside: things in nature that she enjoyed, but also things that were fierce. The things from Andy's outside experience that made her uncomfortable, such as the wind and bitter coldness, the adrenaline of the hunt, and altogether new adventure, are what reminded her of the ocean.
This story of stepping from the woods into the open field/ocean is an analogy of the transition from Andy's childhood into her alduthood. She willingly and readily took those steps because she was beginning to mature and face new opportunities, realizing that it required braveness. Through her braveness, Andy found that there was also freedom.

Doe Season

During childhood children are usually worry free and not only that but the woods made Andy feel worry free because "they were the same woods, for miles and miles." (456). The ocean was different, it made her think of things dying, alost like she was afread of it. It is the same with going from childhood to adulthood, Andy is worry free during childhood but when adulthood comes she is scared. The woods made her feel safe until she realized what could happen in the woods such as when the deer died and her dad cut into it, she ran away. In reality, many children going into adulthood want to run away too. At a point they realize what it takes to be an adult. Andy thought she could handle the woods and she wanted to be a boy and be called Andy (463) but in the end the woods weren't what she thought and that is when she was ready to be an adult and be called Andrea now. Many people make this transition. The transition doesn't usually happen because of a situation like this but the woods changed Andy into a different person, to be more of an adult or a lady.

Carly Turchin

"Doe Season" question #3

As the story begins Andy is thinking about the woods and going hunting. "They were the same woods that lay behind her house, and they stretch all the way to here, she thought, for miles and miles, longer than I could walk in a day, or a week even, but they are still the same woods. This thought made her feel good: it was like thinking of God: it was like thinking of the space between here and the moon: it was like thinking of all the foreign countries form her geography book where even now,..."(456) The woods did not scare Andy, but gave her comfort, much like her childhood and the things in her childhood that protect her. On page 459, paragraph 45 Andy recalls a vacation she took to the ocean with her family. She thinks of the ocean because the strong winds blowing through the treetops remind her of the sound of the ocean. The sound of the ocean is frightening to her, and the woods is also becoming more frightening to her as she spends that time there on her hunting trip. She is beginning to realize she is growing up and that is what is causing her the fright. She thinks she is beginning to smell the air of the ocean while they are in the woods (459). Then she says "But that was impossible, the ocean is hundreds of miles away, farther than Canada even." (459) That to me says that she is thinking that it is impossible that she already feels like she is growing up in to adulthood, it should be many years away. She talks more descriptively about the ocean and why it scares her. " Everything lay hidden. If you walked in it, you couldn't see how deep it was or what might be below; if you swam, something could pull you under and you'd never be seen again." (459) This parallels to Andy's thoughts of adulthood, she is frightened of it just as she is of the ocean because of the unknown. The ocean does not give her comfort like the woods that she feels is the same as it is in her own back yard because that is familiar and comfortable to her. The ocean is the unknown and the woods is comfort just like adulthood and childhood.

Sunday, October 4, 2009

Doe Season

In “Doe Season” Andy talks about the woods and how they never change she takes comfort in this as she takes comfort in the consistency of her own life. She likes the feeling that everything will always be as it was but she finds out that life is not always as it seems. Like when she talked about the ocean “huge and empty, yet always moving. Everything lay hidden. If you walked in it you couldn’t see how deep it was or what might be below” (p.459.) This is how life can be as you get older and have to leave your comfort zone. You can never tell what life will bring you “If you walked in it you couldn’t see how deep it was or what might be below” (p.459). Also life is always changing as you grow and develop and it’s a big scary world out there. The woods is her as a child in the protection of her parents and the ocean is her as she grows and changes from a child to an adult.

The Lady and "The Chrysanthemums"

Reading John Steinbeck’s “The Chrysanthemums” proved to be very challenging due to the difficulty recognizing all of the nuances that peppered the story. At first, it appears to be an innocent story about a woman and her flower garden. Dig below the surface though, and there lies a story about a woman’s desires, frustrations, and unfulfilled life.

Like the “high grey-flannel fog of winter” that “closed off the Salina Valley from the sky and from all the rest of the world” (632) Elisa is trapped in her life in the valley. She finds peace and solitude tending her chrysanthemums. The flowers gave Elisa something to throw her life into, to tend and nurture.

Children are never mentioned in the story, so it is assumed that Elisa is childless. She takes care of the flowers, eradicating pests like a mother would take care of a child’s illness or problem, with “terrier fingers destroy[ing] such pests before they could get started” (633). Her chrysanthemums represent her feminine qualities, her motherly instincts.

When the tinker arrives, he is nothing more than a distraction in Elisa’s life. As he and his dog pull up to her wire fence, it is as if they have pulled up to the edge of her world, and she was in no hurry to let them in. This fenced in area of her garden was like her own personal bubble, protecting her from anything in the real world that could hurt her. Elisa seemed wary of the tinker, but engaged him in conversation all the same. When he tries to earn some money fixing pots or scissors for her, Elisa repeatedly tells him “I haven’t anything for you to do” (635). He quickly realizes he needs to change his tactic to obtain any work from this “lean and strong [woman] her eyes as clear as water” (632). He begins to talk to her about her chrysanthemums, and Elisa’s “irritation and resistance melted” and her “eyes grew alert and eager” (635). The story seems to take on some strong sexual undertones at this point, with Elisa becoming more feminine in her actions and appearance.

While preparing the sprouts for the tinker to take to another woman on his route, Elisa invites the tinker to “come into the yard” (636). Her husband, Henry didn’t even come into the fenced area of the yard. The “big red flower pot” (636) that she uses is important, as red is a symbol of passion and power. She has “forgotten her gloves” (636), something she never does, showing the reader that she had become more open to the tinkers attention and less repressed as she normally is with her husband. Elisa kneels in the dirt, “her breast swelled passionately” and her “voice grew husky” (636). She goes as far as to reach out for his leg, but drops her hand and stays “crouched low like a fawning dog” (636). It’s as if the experience is over for her.

Once the tinker is gone, Elisa goes to get ready for her date with Henry. During her bath, she “scrubbed herself with a little block of pumice…until her skin was scratched and red” (638). It seems that she is trying to scrub away the guilt she is feeling from her encounter with the tinker. She goes back to her real life, getting Henry’s bath and clothing ready, and in doing so she stares blankly representing that she has no interest or excitement in marriage (638).

The couple drive down the road, and Elisa sees “a dark speck” (639)on the side of the road, it is obvious to her what it is. The realization that the tinker has “thrown them off the road…but he kept the pot” (639) shows her that she has been used and thrown away. Steinbeck ends the story with Elisa crying and feeling sorry for herself and her dull existence.

Doe Season

In the story “Doe Season” by David Kaplan, Andy is on a hunting trip with her Father and friends of her father. While on the hunting trip, Andy talks about the woods as being a safe place that made her feel good. In the woods she was able to feel like she was like one of the guys, spending time with her Father hunting. The woods was her comfort zone, she liked the feeling she had when she was in the woods. Andy talks about how the ocean frightens her, “It was huge and empty, yet always moving. Everything lay hidden. If you walked in it, you couldn’t see how deep it was or what might be below; if you swam, something could pull you under and you’d never be seen again. It’s musky, rank smell made her think of things dying.” (459) Andy is afraid to grow up, she is entering a new phase in her life that is frighting to her.
After Andy shot the deer in the woods, Andy has to come to terms with dealing with death as it is a part of growing up.

"Doe Season"

In his short story, “Doe Season,” David Michael Kaplan writes about a young girl’s initiation into adulthood as she goes on a deer hunt. Kaplan uses two different pieces of nature in this story to contrast the changes that occur within Andy: the woods, and the ocean.
In the beginning of this story, it is stated that the thought of the woods to Andy “was like thinking of God,” (456). It is also know that she felt “they were always the same woods,” (456) perhaps signifying the deep-rooted relationship a child gains with its parents as they mature. The woods are also a beautiful means to represent the home, shelter, and safety from elements.
As they progress through the woods, Andy recalls her first trip to the ocean. The thought of this frightens her; “if you swam, something could pull you under.” (459) She also recalls that “everything lay hidden,” (459) adding to the mysterious characteristic of the ocean. In this way, Kaplan uses the vastness of the ocean to symbolize the unknowns about life that everyone must consider in order to mature.
By contrasting the woods with the ocean, Kaplan may be suggesting that in order to come of age, you must leave the shelter of “the same woods” and jump into the unknown.

"Doe Season"

In “Doe Season” Andy finds the familiarity of the woods near her home to be both comforting and predictable. The woods symbolize the life she has lived thus far. Her well-known childhood gives her a sense of belonging, just as the woods near her home do. While recognizing that the woods never change Andy states, “The thought made her feel good: it was like thinking of God…” (456). Just as she cannot see God, Andy cannot see as far as the woods stretch. However, she is still able to find comfort in both. While her childhood is familiar, this hunting trip signifies that Andy is growing up, and her adulthood is not far away. During this time of transition she relates her adulthood to an ocean, which is both unpredictable and unknown. When Andy describes the ocean she says, “It was huge and empty, yet always moving. Everything lay hidden” (459). She does not know what the future will hold for her, thus her future is hidden similarly to the ocean. She struggles with her impending adulthood because she is unaware of what it will be like, and she is apprehensive to leave her comfortable childhood behind.

"Doe Season"

This is a short story written by David Kaplan. This story is about a girl named Andrea who goes by the name Andy. Andy goes hunting with her father, his friend and son. In this story Andy is scared of the changes that she will going through as she becomes a woman. Andy is a girl who masks the fact that by doing manly activity's with her father she maybe would not have to go through the change to womanhood. Andy has a hidden girly side and she also masks that in the story as you can see throughout the story when Mac makes fun of her and teases her. The sea symbolizes womanhood and the forest symbolizes manhood. Andy wants to please her father in this story. At the end of the story when they cut the doe open, Andy runs in to the woods. Andy at that point realizes that she will maybe never be a part of the manly group and activity's with acceptance. Andy will be a woman someday soon as suggested in the story when she and her mother were at the beach and her mother lost her top, Andy appeared to be embarrassed however Andy realized she also would have breast sometime in the future. Andy struggles with some self identity in this story and at the end maybe realizes that she can do manly sports however she will always be a female.
Angela Thune